In spite of her own conviction that 'I shall not be "fashionable" long', Katherine Mansfield has acquired an international reputation as a writer of short stories, poetry, letters, journals and reviews. Her work has been translated into more than 25 languages.
An early practitioner of stream-of-consciousness narration, she applied this technique to create stories based on the illumination of character rather than the contrivances of plot.
Her works consider such universal concerns as family and love relationships and the everyday experiences of childhood and are noted for their distinctive wit, psychological sharpness, and perceptive characterizations. Mansfield is one of the few authors to attain prominence exclusively for short stories, and her works remain among the most widely read in world literature.
She returned home after completing her education, but at nineteen she persuaded her parents to allow her to return to England.
Biographers believe that Mansfield either arrived in London pregnant as the result of a shipboard romance or that she became pregnant after her arrival as the result of an affair with a man she had known in New Zealand.
She quickly married George Bowden, a young musician, and left him the next day for a German spa, where she mis-carried, alone.
Burgeoning Career Mansfield returned to England following a period of recuperation, during which she wrote the short stories comprising her first collection, In a German Pension These stories focus on themes relating to sexual relationships, female subjugation, and childbearing.
Determined to pursue a literary career, between and Mansfield published short stories and book reviews in magazines. In she met editor and critic John Middleton Murry and was soon sharing the editorship of two magazines with him. The two began living together and married inafter her first husband consented to a divorce.
Bliss and The Garden Party In Mansfield was reunited in London with her only brother, Leslie Heron Beauchamp, shortly before he was killed in a military training accident. His visit is believed to have reinforced Mansfield's resolve to incorporate material drawn from her New Zealand background into her fiction.
The success of these volumes established Mansfield as a major talent comparable to such contemporaries as Virginia Woolf and James Joyce. She was further weakened by tuberculosis in the early s. Nonetheless, she worked almost continuously, writing until the last few months of her life, when she undertook a faith cure in France.
She died of a lung hemorrhage resulting from tuberculosis on January 9,at the age of thirty-four. Works in Literary Context Class Consciousness Many of Mansfield's stories deal with the concerns of the upper classas well as the chasm that exists between the upper and lower classes.
The wealthy woman, who appears to have everything, becomes despondent when her husband comments on the poor girl's beauty, but fails to say the same for his wife. As illustrated in these stories, Mansfield acknowledges the vain preoccupations of the upper classes, but also shows that money alone does not provide happiness or fulfillment.
Mansfield and Virginia Woolf Katherine Mansfield and Virginia Woolf had a significant influence on each other, although Mansfield objected to many of the Blooms-bury Group's ideas. Her connection to Dostoyevsky focuses on his recognitions of consciousness and his extraordinary capacity to depict the agonies of the human soul.
But, Mansfield felt that Chekhov knew as well as Dostoyevsky the agonies of consciousness, and he retained a capacity to respond to the outside world; he acknowledged a need to write and live simultaneously with one's recognitions.
Works in Critical Context Mansfield's fiction has been increasingly respected throughout the years, and the quality of her thought and writing praised as further material has been posthumously published.
Although reminiscences, particularly those of John Middleton Murry, the husband who survived her, have sometimes tended to sanctify her, healthy reactions against sanctity have questioned the viewpoints of Murry and others. The variety and brevity of her fiction, its accessibility as well as its length, have enabled Mansfield to reach an expanding audience throughout the century.
Mansfield's collection similarly represents the mature progress of her artistry. It contains some of her finest work, and illustrates the artistic usefulness of her New Zealand background…. Mansfield, no less than James Joyce, demonstrates a preoccupation with the growth of an artistic sensibility.
How much ground Katherine Mansfield broke for her successors may not be realized. Her imagination kindled unlikely matter; she was to alter for good and all our idea of what goes to make a story.
Lawrence was an English writer and friend of Mansfield, who examined human sexuality in his novels. He was well-known for Sons and Lovers and Women in Love. Lawrence was an English reporter who posed as a man to become a soldier in World War I. She was discovered by the British and was made to promise not to write about her experiences for fear that other women would follow.
Matisse was a French sculptor, painter, and printmaker. He was a leading figure in modern art, famous for his fluid lines and use of vibrant color. Owen was a British soldier and leading poet of World War I.
He was well-known for his graphic and realistic, rather than patriotic, poems about the war. Responses to Literature Katherine Mansfield wrote about the difference between one's inner and outer worlds.
When have you felt like what's going on inside you is not what other people see? Think about one specific instance. Was there a revealing detail that people should have noticed that indicated how you truly felt?A summary and analysis of Katherine Mansfield’s classic short story ‘The Garden Party’ () is probably Katherine Mansfield‘s best-known and best-loved story.
She never wrote a full-length novel, but – taking her cue from such innovators as Anton Chekhov – made the short story form her own. Katherine Mansfield's short stories tend to polarise opinion.
In the very first blog of this series, one casual below-the-line mention of her was enough to prompt both brickbats and devotionals. Influenced by Oscar Wilde and Anton Chekhov, Katherine Mansfield enjoyed a productive although short career as an essayist and short-story writer.
Her first story, “The Tiredness of Rosabel. Katherine Mansfield is a central figure in the development of the modern short story. An early practitioner of stream-of-consciousness narration, she applied this technique to create stories based on the illumination of character rather than the contrivances of plot.
Mansfield's "The Fly" combines three episodes which seem quite disparate because very different actions and secondary characters are involved. Each episode, however, is a variation on a situation in which the boss dominates the other character but in the .
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