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His father, Donald Edwin King, was a merchant seaman.
Donald was born under the surname Pollock, but as an adult, used the surname King. When King was 11, his family returned to Durham, Mainewhere his mother cared for her parents until their deaths. She then became a caregiver in a local residential facility for the mentally challenged. While no longer religious, King chooses to believe in the existence of a God.
His family told him that after leaving home to play with the boy, King returned, speechless and seemingly in shock.
Only later did the family learn of the friend's death. Some commentators have suggested that this event may have psychologically inspired some of King's darker works,  but King makes no mention of it in his memoir On Writing King related in detail his primary inspiration for writing horror fiction in his non-fiction Danse Macabrein a chapter titled "An Annoying Autobiographical Pause.
That inspiration occurred while browsing through an attic with his elder brother, when King uncovered a paperback version of an H. Lovecraft collection of short stories he remembers as The Lurker in the Shadows, that had belonged to his father. He displayed an early interest in horror as an avid reader of EC's horror comicsincluding Tales from the Crypt he later paid tribute to the comics in his screenplay for Creepshow.
He began writing for fun while still in school, contributing articles to Dave's Rag, the newspaper his brother published with a mimeograph machineand later began selling to his friends stories based on movies he had seen though when discovered by his teachers, he was forced to return the profits. The first of his stories to be independently published was "I Was a Teenage Grave Robber"; it was serialized over four issues three published and one unpublished of a fanzineComics Review, in That story was published the following year in a revised form as "In a Half-World of Terror" in another fanzine, Stories of Suspense, edited by Marv Wolfman.
That year, his daughter Naomi Rachel was born.
After leaving the university, King earned a certificate to teach high school but, unable to find a teaching post immediately, initially supplemented his laboring wage by selling short stories to men's magazines such as Cavalier.
Many of these early stories have been republished in the collection Night Shift. The short story The Raft was published in Adam, a men's magazine. Luckily payment arrived for the short story The Raft, then entitled The Float, and "all I did was cash the check and pay the fine.
He continued to contribute short stories to magazines and worked on ideas for novels. King had thrown an early draft of the novel into the trash after becoming discouraged with his progress writing about a teenage girl with psychic powers.
His wife retrieved the manuscript and encouraged him to finish it. King and his family moved to southern Maine because of his mother's failing health. At this time, he began writing a book titled Second Coming, later titled Jerusalem's Lot, before finally changing the title to Salem's Lot published In a issue of The Highway Patrolman magazine, he stated, "The story seems sort of down home to me.
I have a special cold spot in my heart for it!The Lie of Imperialism Exposed in Literature - If postcolonial literature is the “process of dialogue and necessary correction,” of misconceptions concerning colonialism, then a comparative study of colonial and postcolonial works is essential for attaining a full understanding of the far-reaching effects of European imperialism (Groden and Kreiswirth ).
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Books shelved as writers-reference: The Elements of Style by William Strunk Jr., On Writing: A Memoir of the Craft by Stephen King, Bird by Bird: Some In. This bar-code number lets you verify that you're getting exactly the right version or edition of a book. The digit and digit formats both work. Who better? Many business people faced with the task of writing for marketing purposes are quick to say: Hey, I’m no Hemingway! But really, who better than Hemingway to emulate? Rather than embracing the flowery prose of the literati, he chose to eschew obfuscation at every turn and write simply and clearly.. So let’s see what Ernest can teach us about effective writing.
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